Close
Share
Paper
Sarah Kane and The Dramaturgy of Modern British Women
Ana Kvinikadze_2018Abstract
Abstract taken from the full text of the paper (PDF, page 4).Outstanding playwright Sarah Kane appeared as a new voice in British Drama in the 1990s, having a significant impact on modern theatre development not only in Britain but also throughout the world. My Master’s thesis is about Sarah Kane’s works and contemporary British women’s dramaturgy, about which nothing much is written in Georgia, not to count several performance reviews, that was staged in Georgian theatre according to Kane’s plays. In the present work is briefly discussed the female playwright’s place and fate in the theatre history, how many obstacles they overcome for the rights they have today, in the 21st century, as well as the 90-ies British Theatre and the processes, which took place at that time in British Theatre and Drama.
Mainly my thesis refers to Sara Kane’s works /and its importance in the world theatre context/ and life that somehow determine her fate.
Full text: PDF, 53 pages. The full text is available in Georgian. Open the paper
The abstract and full text of this paper are available on OpenScience.ge: openscience.ge/handle/1/8343