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The role of German expressionism cinema in the birth of fascism
Levan Abduselishvili_2020Abstract
Abstract taken from the full text of the paper (PDF, page 4).The present paper will study the role of German expressionism cinema in the birth of fascism. This study will determine how possible is it to discuss the birth of Hitler and Nazism in Weimar Republic, based on expressionism. In the work are used the secondary source, analysis method, culture research method, content analysis and visual analysis of movie images. The main focus will be on the works of film theorists: Siegfried Kracauer and Lotte H. Eisner. On the one hand Kracauer’s “From Caligari to Hitler’’ and on the other Lotte H. Eisner’s “The Haunted Screen’’ will help to rethinking the results of their research. How possible is it that Cinema ( Despite of it’s the most mass art) contribute the birth of the most terrifying tyranny of the history of world.
The results will help us to deepen or lighten the connection between German expressionism and Nazism. One of the biggest director of German expressionism cinema, Fritz Lang denies the hypotheses raised by the Kracauer and Eisner and thinks that the expressionists have not been blamed for the birth of the Third Reich. Key search Keywords: German expressionism, Fascism, Siegfried Kracauer, Lotte H. Eisner.2
Full text: PDF, 70 pages. The full text is available in Georgian. Open the paper