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Representing Traumatized Memory in Lee Chang-dong's Cinematography
Nino Shvelidze_2019Abstract
Abstract taken from the PDF of the thesis (page 4); source: Ilia State University repository.After the end of the Second World War, studies of traumatic memory is an object of special interest. Today “memory studies” is considered as interdisciplinary academic field. Therefore cinema represents memory, in the second decade of the 21th century, cinema studies is intensely related to memory studies and “memory politics”. The following research includes cinema and memory studies, the main focus is South Korean filmdirector Lee Chang-Dong. Discussion will take place about cinema possibilities to “keep alive” individual memory which is lost in history.
Ilia State University repository holds the title page and abstract of this thesis. View the source