Close
Share
Paper
Absurd's theory and theatre of the Absurd in the Georgian stage
Marta Kopadze_2019Abstract
Abstract taken from the full text of the paper (PDF, page 50).Absurd literature was constantly and the object of the people's interest, because at some point in life, the feeling of being absorbed by people is a sense of the absurd, and in the minds of some of the questions that will be followed by the feeling that it is nothing in this world and every action or inaction is opaque. All this leads to the obstacles and the unrealized desires that disturb the person and often leads to the understanding of the events that are happening around us. Eventually, people will find themselves in a deadlock and find no way out. That is why the absurd drama for such people in crisis is such a close and understandable.
The purpose of the thesis is based on the theory of absurd, to outline its importance to human beings, to disclose the reasons why it is topical and why we think that in the future too; Also, the characteristic signs of absurd drama are based on different pieces of analysis; To discriminate the absurd literature patterns on the basis of confrontation with each other and different types of texts; Finally, these plays can be found in the plays on the Georgian stage and evaluate how correct it is in the Georgian reality, how much the texts are transformed, what the director's vision is, how much they are transformed, whether they are compelling or not, It is also important to note how important it is in Georgian reality.
One of the tasks of the thesis is to see in the general psychological context of absurd drama and the generalization of the community based on private examples. Finally, the purpose of the
Full text: PDF, 51 pages. The full text is available in Georgian. Open the paper
The abstract and full text of this paper are available on OpenScience.ge: openscience.ge/handle/1/644