ეროტიზმის მხატვრული რეპრეზენტაციები

აბსტრაქტი

სტატიიდან აღებული ავტორის ინგლისურენოვანი რეზიუმე:

Key words: erotic, metasexual awareness, modernist project, conceptual shifts.

As it is known, soviet literary criticism used to discuss socio-cultural facts and even literary texts within the frameworks of Marxist ideology that extremely restricted the area of scientific study. So, there were also lots of taboo themes that analysis were prohib- ited. Among them was concept of eroticism that mainly was equated with so called notion of love lyrics. However pre and post-revolutionary Georgian poetry and prose ascribed by us as the era of modernism, includes very interesting material with regard to aforesaid. Principally significant is definition of itself this theme, as eroticism, because due to fragile borders existed on the one hand at sexuality and on the other hand at pornography, the terminology is often messed up.

Michael Epshtein better determined aforesaid than others, calling eroticism as metasexual awareness and fancy, separating from our body in order to return to it in abstract, though at the same time in more accented form. And more- over: sexuality – means confidence, needs and requirement, when eroticism principally is desire. What kind of condition was faced within the context of pre and post-revolutionary Georgian writing from the standpoint of artistic representation of eroticism, as one of the strongest concept of modernism? It appeared that due to several reasons it is broad subject of study. And such attitude first of all is created by the fact that can be stated as follows: Georgian writing managed not to become plagiarist of European and Russian modernism, vice versa, under the usual synthesis of western and eastern cultures as Gr.

Robakidze used to say, that, with a marriage it managed to form its original color for this great renewal. There also was Kazbegi’s prose, where V. Kotetishvili perceived the most impor- tant problem for Kazbegi – death of ravine, exactly under the background of sexual love. Though, critic T. Vasadze considers Baratashvili’s “Sakure” as classical erotic text and it is exactly so. erotizmis mxatvruli reprezentaciebi Dionysian and Apolonian. Even within the context of transformation of Fr. Ni- etzsche’s culturological ideas is obvious the tendency of priorities movement. Apollo’s initial is emphasized in the paper “Birth of tragedy from the soul of music”, but Dionysian in the paper “So would say Zaratustra” known as a certain mantra of modernism as life giving instinctual beating power of creation.

According to Nietzsche’s opinion, Dionisism is a show of irrationality of human soul, his/her strong sensual power. It was also the same way apprehended by it followers, among whom were also Georgian modernists. “Sh. Aragvispireli was the first among Georgian writers, who brought the feeling – upon relation of opposite genders the most important is the passion and not the union of souls … they only touch each other and nothing more. Neither soul and nor flesh cor- respond each other … human … stupidity… ha!...ha!...ha!...”. It is to be noted that Galaktion expressed his firm faith to omnipotence of art in the erotic verse of the same period “Getera” (1914).

There is provided the history of courte- san Frina from ancient period, who despite of moral decadence was applied as Aphrodite sculpture prototype due to his perfect beauty, but the distance from flirting to mythological creature is the way that can be concealed and covered only through art. Based on its natural poetical talent and intuition Grishashvili is even spontane- ous modernist, who trying to associate eastern-urban reasons to European creates above mentioned intonation itself for Georgian modernism. It is obvious that it was not and even would not be artistic product of such depth and intention that would distinguish Gr. Robakidze, though according to the opinion of the same Robakidze, Grishashvili’s early poetry “full of solar and lively rhymes” represented remarkable stylization of Avlabari artistic poetry”.

Itself eloquent is the very reaction that society related to Dariani period of Tsisper- kantseli poet P. Iashvili. Lali Avalishvili also emphasizes that “Dariani’s eroticism was well associated to the doctrine of symbolism”, - though Paolo lightened it with a light strengthening solar life…. Herein we may also say that this procedure in our literary space was fulfilled without any mysticality, par excellence with perfected play of fancy and ex- actly this is essential instant. “Eternal femininity” is represented as an object of pleasure in Dariani period influenced by modernistic culture, especially by Freudism, though it does not and even can not move to pornography, as everything is still within the frameworks of modernistic aesthetics.

The first Georgian modernists charged the air to fell fantastic theory of poetry, variety of artistic forms and creative self-realization with activated potentials that there is created poet’s quite important illusion for the expansion of existential borders. Many erotic texts, or passages are created within this context and their authors are not only Gr. Robakidze, or P. Iashvili, but also young poet Nino Tarishvili, adherent of modernistic

გამოქვეყნებულია ჟურნალში „სჯანი“, ტ. 19 (2018), გვ. 289–302. ნაშრომის გახსნა