აგიოგრაფიული ციტატა

აბსტრაქტი

სტატიიდან აღებული ავტორის ინგლისურენოვანი რეზიუმე:

Key words: quotation, text, principle, idea, effect.

Citation is an immanent property of a genre, inner necessity, character without which ideological representation does not occur, the idea is not rendered. It is schematic by form, pathetic by content, ideologically elevated language in which an element of game constantly coexists; the pause, the form of interval, the thinking method which transfers us from automatized language to literary language; an aesthetic dissonance emerged by rational impulse which creates broken rhythm to the reception process; ceremonial stylistics. Pose. Gesture. Antichaos. Perhaps this does not substantially change anything in the text but increases the efficiency of reading the text.

As well as the flash of meteor does not change the position of the celestial bodies but excites our interest in the cosmos. It has an ideal goal and real outcome. The content, degree of perfection moves between the ideal and real. It reminds us something like the art of stained glass. As if it also brings colors from somewhere but does not name them. It is obviously a secondary phenomenon but irreplaceable because it merges freely with the text. From the viewpoint of reception it is the weakness of the text and at the same time its merit, it depends on how it is merged in the text – fully or partially. agiografiuli citata This is a method of verbal action on the listener and reader, compositional unit of the writing.

This “formalism” implies both argument and emotional impact. Thus, there are both pragmatics and feeling in it. It proves something that touches feelings. Hence, there exists syntagmatic basis and supersyntagmatic basis, i.e. the phrase as verbal, formal unit is followed by emotional, sensual meaning. It does not have rich tools but it itself is a good instrument in author’s hands. It is directly linked to the author’s “personality”, represents its exclusive subject. For him there exist two ways of manifestation the energy – formal chosen by the author and active understood by the reader. The author is free in choosing the form, but tries that the element chosen by him become a natural part of the text to be acceptable for reception.

It is hard to preserve the author’s style but every author has possibility to choose the aesthetics and the accuracy of meaning content and act according to his taste. The following principle has been highlighted: the thought must move not only from citation to the reader – this would be only the transfer of information – but from the reader to citation in order for the process of reception to become integral. This principle is not far from the rules of antique rhetoric: the author knows what to say, where to say and how to say. There is something oratorical in it and also something mannered. The purpose of using the citation is to render in the context more than separately taken citation can.

Unlike the rest part of the text, conventionality is excluded in the cited passage. It is a meta language which implies straight, real, direct text. The citation is something like the technique of hypnosis, willing to act upon you, transfer to another state. The passage has the effect of contrast, full action of mind, exhausting thought. The factors are: interpenetration between the citation and the body text, the degree of adaptation, efficiency of phrase, setting of the context, motif in constructing. Citation is the necessity of a genre which has subject-logic loading: renders, proves and confirms something. At first glance citation bears an accidental sign, as a reduced form, as a passage, as a fragment but at the same time it is quite a logical process, part of the conscious side of the text, a meeting point of real and ideal, objective and subjective, where an idea is constructed and literary status of a text is enhanced.

It is always in the upper layer of the text archeology. In relation to the text it is symmetric and contrasting. Passivity is not inherent, always active until not devalue itself with excessive intensity. This is academic method of expressing the thought, automated subject, scheme which takes part in the formation of the ontology of the text. According to the genre rule, it is not a detail but meaning. However, the meaning cannot be considered the only factor. It has dialectics which is realized by the principle of unity of the components. A construction obtained by means of fragmentation has an ability of multifaceted development. It is a development by leaps, a technique of outword action, mechanics of style, manifestation of the dialectic nature with a claim of fullness.

It has both empiric and speculative, detached from the reality, separated from practice. After clarification of the direct meaning, it starts associative reception, increases motivation of psychological action. The formation of thought takes place which aims to attain the beauty: express an idea effectively and make an impact on the reader. By form hagiographic citation approximates to the scientific cognition rather than literary. The reason of its use and the size is to be determined by the author but there are instances when the text of composition requires this.

გამოქვეყნებულია ჟურნალში „სჯანი“, ტ. 16 (2015), გვ. 7–13. ნაშრომის გახსნა